“Every legend and all mythologies exist to teach us how to run our days. In kind fashion. A loving way. But there’s no story, no matter how ancient, as important as one’s own. So if we’re to live good lives, we have to tell ourselves our own story. In a good way.” So says James Clare, Ben MacCarthy’s beloved mentor, and it is this fateful advice that will guide Ben through the tumultuous events of Ireland in 1956.
The national mood is downtrodden; poverty, corruption, and a fledgling armed rebellion rattle the countryside, and although Ben wants no part of the upstart insurrection along the northern border, he unknowingly falls in with an IRA sympathizer and is compromised into running guns. Yet despite his perilous circumstances, all he can think about is finding his former wife and true love, the actress Venetia Kelly.
Parted forcibly from Ben years ago, Venetia has returned to Ireland with her new husband, a brutal man and coarse but popular stage performer by the name of Gentleman Jack. Determined not to lose Venetia again, Ben calls upon every bit of his love, courage, and newfound gun-running connections to get her back. And as Ben fights to recapture his halcyon days with Venetia, he must finally reconcile his violent and flawed past with his hopes for a bright and loving future.
Brimming with fascinating Irish history, daring intrigue, and the drama of legendary love, The Last Storyteller is an unforgettable novel as richly textured and inspiring as Ireland itself.
The Last Storyteller is the third and final installment in the story of Ben McCarthy and his estranged, Venetia Kelly. The trilogy began with Venetia Kelly’s Travelling Show which was followed by The Matchmaker of Kenmare. Spanning two decades, through these novels, Frank Delaney has given readers a glimpse of Ireland and its rich culture.
In this ambitious epic, Ben McCarthy is the main character. Venetia, his estranged wife, plays a larger role in this final book. The brilliance of this book and the talent of the author lies in the author’s ability to cover the larger scope of Ireland’s history such as the IRA and poverty while never losing sight of Ben whose own personal adversities evolve as the story progresses and the reader comes to understand his pain, his losses, and motivations.
Although I encourage you to read all three of these intriguing novels, each one can stand alone because the author provides a complete background of the story so far at the start of each book. As I read through the stories, Ben MacCarthy, and the journey and adventures in his life, began to feel real to me. The Last Storyteller closes the trilogy with a completely satisfying ending.
Frank Delaney is a master storyteller himself. His passion for Irish history is evident on each page that is intermingled with politics, adversity, and plenty of conflict. Never boring, always entertaining, and forever poignant, this was a trilogy on a grand scale. A highly recommended trilogy indeed!