Thursday, June 11, 2009

When Women Weren't Persons

Emily Murphy

I feel equal to high and splendid braveries!
Emily Murphy, 1918

It’s hard to believe that prior to 1929, women in Canada weren’t considered “persons” under the law. Even worse, women in Canada were also prohibited from owning property. If a woman’s husband died, any property he owned was inherited by the nearest male relative or other male of his choice who would then look after and support the widow. Canadian women were excluded from public office as senators, certain professions and universities. Emily Murphy set out to change all that.

Emily Murphy was born in 1868 in Cookstown, a small town in the province of Ontario. Her father, Isaac Ferguson was a wealthy businessman and landowner involved in law and politics. Her grandfather, uncles, and brothers were politicians, judges, or lawyers. Emily’s father raised her as an equal to her brothers and encouraged her to join in their adventures. As prominent members of society, her parents encouraged her to receive formal academic education.

In 1887, Emily married an Anglican minister by the name of Arthur Murphy. Together they had four daughters, but two died when they were very young. The family moved west and finally settled in Edmonton, Alberta in 1907. While her husband was occupied in his work, Emily set out to become acquainted with her surroundings. When she was 40 and all her children had flown the coop, Emily used her new found freedom to organize women’s groups where isolated housewives met and organized group projects. Murphy began to speak openly about the plight of women - the disadvantages and poor living conditions.

One day, she learned of an Alberta woman whose husband sold the family farm and abandoned his wife and numerous children, leaving them without any money and without a home. Alberta law at that time did not leave the wife any legal recourse. This provoked Emily to create a campaign to assure the property rights of married women. Supported by a number of rural women, Murphy pressured the government to allow women to retain the rights of their land. As a result, Alberta passed the Dower Act in 1916 which allowed women to retain a third of her husband’s property. But the Act was weak and insufficient. Unfortunately, it took many years before authorities enforced it. Undaunted, Emily pressed on.

In 1916, Emily learned about two women who were rejected from an Edmonton court because “the evidence was not fit to be heard in mixed company.” Emily argued that the government must then set up a special court to be presided over by women to try other women. The Minister agreed. He offered Emily the position of police magistrate to preside over this special new court. Hence, she became the first woman in the entire British Empire to ever hold such a position.

But on her very first day on the job, a lawyer by the name of Eardley Jackson, challenged her appointment as judge because, he argued, women were not “persons” under the law. The law at that time stated women were eligible for pains and penalties, but rights and privileges. Jackson’s objection was over-ruled, but the issue raged on.

Emily Murphy decided to bring the issue to the forefront by allowing her name to go to the Prime Minister, Sir Robert Borden, as a candidate for the Senate. Even though he was willing to appoint a woman, he was not able to and rejected her because under the law, women were not considered persons.

Murphy decided the law had better be changed. With the help of her lawyer brother, they devised a plan to work through the Supreme Court to ask for constitutional clarification regarding women becoming Senators. Such a question had to be submitted by a group of at least five citizens, but that posed no problem for Murphy. She invited five of her best girlfriends to her house for tea on August 27, 1927 and together they petitioned the Supreme Court of Canada to clarify: Does the word "persons" in Section 24, of the British North America Act, 1867, include female persons?

The arguments were presented on March 14, 1928 (Murphy's 60th birthday), and after a daylong debate, the Supreme Court of Canada decided against the women on April 24, 1928.

Despite this setback, the five women refused to give up. With the approval of Prime Minister Mackenzie King, they appealed the decision. After several more months of waiting, Murphy and her friends finally received the answer they had been campaigning for. On October 18, 1929, the ruling came down: Women are "persons" and can serve in the Senate.

Emily and her friends may have fought the battle, another woman was appointed to the Senate. Emily was never appointed due to geographic restrictions and political allegiances.

Emily Murphy died of diabetes in Edmonton on October 17, 1933 at the age of 65. Her mausoleum drawer lists her many achievements, including the 'Persons' Case.

She and her four friends, Henrietta Muir Edwards, Louise McKinney, Irene Parlby, and Nellie McClung became known as The Famous Five. Their work is honoured today through the work of The Famous Five Foundation at

Sant'Ilario by F. Marion Crawford

Sant'Ilario is the second book in the Saracinesca series. This series is one of the most popular of F Mario Crawford's many books. The story takes place in Rome in the 19th century. Once again, I enjoyed the novel very much. It's intricate plot and colorful characters have me hooked on this series.

Saracinesca by F. Marion Crawford

If you're a regular follower of my blog, then you will know that I recently discovered the literary works of F Marion Crawford. Most or all of his work is in the public domain so I have begun to download his ebooks.

Saracinesca is the first book of a four book series about a noble Italian family in Rome in the 19th century. What I really enjoy about F Marion Crawford is his elaborate plots and memorable characters. There's always plenty of twists and turns. Sometimes, like many classic books, his novels start with an essay type which we modern readers aren't used to. But persevere past this and an exciting story will be revealed.

For more information on what this book is about, here is the synopsis which I borrowed from Wikipedia at:

Saracinesca is a novel by F. Marion Crawford, first published as a serial in Blackwood's Magazine and then as a book in New York (Macmillan) and Edinburgh (Blackwood) in 1887. Set chiefly in Rome of twenty years earlier, the novel paints a rich picture of the period, detailing the spiritual and economic problems of the aristocracy at a time when its influence and status were under attack from the emerging forces of modernity. This romance tells the tale of Giovanni Saracinesca and his courting of Corona d'Astradente, complete with intrigue and sword fights (Crawford was an expert fencer). It can be categorized as a work of historical fiction in that it relates a time when the author was only a child, and also in the sense that the particulars of that time and place are carefully delineated. In a sense, Crawford had been researching for this book all his life: his parents had witnessed the brief 1848 revolution, and his cousin, in her memoirs of Crawford, insisted that "[t]here is little doubt that Crawford as a boy had heard first-hand descriptions of [the] exciting events" of the 1860s.

Saracinesca proved to be both an immediate hit and Crawford's greatest critical success. It was also a commercial triumph: he negotiated separate contracts for the serial printing and the simultaneous American and British publication, as well as future royalties. He followed it with two brilliant sequels, Sant' Ilario and Don Orsino, the three of which are usually considered a trilogy. Subsequent sequels, such as Corleone, continue the saga of Saracinesca family, but with a diversion from the previous focus on the drama and status of family members into heavily plotted, incident-heavy melodrama. Characters from Saracinesca and its sequels also appear in A Lady of Rome (1906) and The White Sister (1909).

Crawford, though an American by parentage and citizenship, was born in the Italian resort of Bagni de Lucca, spent most of his adult life abroad, and wrote Saracinesca while living in Sorrento, Italy.

Monday, June 8, 2009

The Silent Duchess by Dacia Maraini

Winner of the Premio Campiello (Italy's equivalent of the National Book Award)

I'm always excited to get my hands on translated Italian novels. I stumbled across this book while surfing an on-line book store. So I ordered it and just finished reading it the other night.

The writing is beautiful and very, very rich with details. The story is compelling and entertaining. It is no wonder it won Italy's most prestigious literary award.

Here is the cover blurb synopsis:

Winner of the Premio Campiello (Italy's equivalent of the National Book Award), short-listed for the Independent Foreign Fiction Award upon its first English-language publication in the U.K., and published to critical acclaim in fourteen languages, this mesmerizing historical novel by one of Italy's premier women writers is available in the United States for the first time.

Set in Sicily in the early eighteenth century, The Silent Duchess is the story of Marianna Ucrìa, the daughter of an aristocratic family and the victim of a mysterious childhood trauma that has left her deaf and mute, trapped in a world of silence. Set apart from the world by her disability, Marianna searches for knowledge and fulfillment in a society where women face either forced marriages and endless childbearing or a life of renunciation within the walls of a convent. When she is just thirteen years old, Marianna is forced to marry her own aging uncle. Her status and wealth as a duchess cannot protect her from many of the horrors of that time: she witnesses her mother's decline due to her addiction to opium and snuff and her father's cruelly misguided religious piety as he participates in the hanging of a young boy. She watches helplessly as her four-year-old son dies of smallpox and her youngest daughter is married off at the age of twelve. It is not until the death of her "uncle-husband" that Marianna at last gains freedom from her life of subservience: she learns to manage her estates and to love a man as she had never loved her husband, and she also learns of the unspeakable events that led to her lifelong silence. In luminous language that conveys both the keen visual sight and thedeep human insight possessed by her remarkable main character, Dacia Maraini captures the splendor and the corruption of Marianna's world and the strength of her spirit. The Silent Duchess is the timeless story of one woman's struggle to find her own voice after years of silence.

Sunday, June 7, 2009

La Bella Lingua by Dianne Hales

La Bella Lingua by Dianne Hales

Little did Dianne Hales know that when she went on her first vacation to Italy, it would become a life altering experience. But that’s exactly what happened. Not only did she fall in love with the country, its culture, its people, she took it one step further. She decided to BE Italian in every sense of the word.

Her first hurdle was the language barrier. Most people try to learn a language word by word, through repetition and trial and error. But not Dianne. She began at the very beginning and went back into history to understand how Italian came to life.

Dianne takes us on a true Italian journey. Chapter by chapter, she explores how some of Italy’s most famous personages, writers, artists, and musicians helped shape the language from its vulgar vernacular into the beautiful harmonic language that it is today.

Sprinkled throughout, is Dianne’s humor as she stumbles verbally and sends the wrong message as she begins to speak basic words. But as her skill develops, so does her keen sense of analysis and she is able to give her take on how Italians communicate through their coloroful words, complex hand gestures, and rich food and drink. She met with experts from some of the country’ s leading educational organizations for her research and even explored Italy’s many dialects.

To say her journey and her book was captivating would be an understatement. The uniqueness of her story, the vibrant prose contained within this non-fiction book, and her tales of some of her mishaps as she learned to speak Italian, kept me turning the pages, eager to learn more. Her book honors Italy and Italians everywhere. A highly recommended read – but beware – it will make you want to vacation there yourself. Brava Dianne! Encore!

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