Monday, August 31, 2020

Boudicca - Rage Against the Dying Light


Boudicca was born in around 25 A.C.E. The only known writings about her are the following. We have The Annals of Tacitus written about fifty years after her death which covers in a few paragraphs her uprising and battles against the Roman invaders of her beloved British isle. She is also mentioned in a history of Rome written one hundred years after her death by Cassius Dio. Both are accounts written only about her battles against the Roman invaders. Those accounts also include the battles between Venutius a foster prince of a Celtic tribe and Cartimandua, the vicious queen of a large Celtic tribe who married Venutius and then betrayed him. Both were her contemporaries. Both accounts are written from the Roman point of view.

Boudicca was married to Prasutagus a much older king of a large and wealthy British Celtic tribe the Iceni in a politically matched marriage. When Romans invaded Briton Prasutagus made a pact with the Romans to lay down all tribal arms and only use them in defense of the Romans in return for a pact that would save his people and his wealth. When Prasutagus died the Romans broke that pact overrunning the Iceni palace, taking slaves, publicly flogging Boudicca now queen of the Iceni and assaulting her two young daughters.

Boudicca enlisted thousands of Celtic warriors to lead them into battle with her two young daughters beside her in a chariot to avenge their assaults upon her daughters and upon herself and free her beloved isle from Roman tyranny. Her epic battles are the most celebrated in Celtic history making her the first known woman warrior.

Many poems have been written about her and many paintings have celebrated her courage, along with a statue to her memory that overlooks the Thames in London with Big Ben in the background. A rehab facility for women army veterans from the Iraq war considers her their inspiration and patron.

There are still many groups around the world who meet and celebrate her memory and her courage as well as a Facebook site which features her that has had millions of hits.

Written by Jan Surasky 


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Of all the women warriors in myth and legend few are more storied than Boudicca, the fierce redheaded queen who, in the first century A.C. E. led the most celebrated Celtic rebellion in history. Until now books about her have been based on the only written records that exist—ancient Roman writings. But, Rage Against the Dying Light tells the story from the Celtic point of view.

At first a carefree young princess who revels in friendships and the beauty of her land, Boudicca learns the ways and rites of her Druid tribe. She prepares for the day she will be queen, wife and mother. Soon after her politically matched marriage to the much older king of a large and wealthy tribe, however, her world turns dark. After the death of her husband Roman invaders intent on conquering the loosely allied Celts attack the palace breaking a pact that would have saved the tribe from doom, taking slaves, publicly humiliating Boudicca and assaulting her two young daughters.

Betrayed and outraged Boudicca does not back down. She nurses her daughters back to health and with them beside her in a chariot she leads thousands of warriors in an epic battle to avenge her daughters and rid her beloved homeland of Roman tyranny.

Rage Against the Dying Light is the story of history’s first woman warrior and a symbol of courage inspiring paintings, poetry and a statue in her honor overlooking the Thames in London.




 Author Jan Surasky

Multiple award-winning author Jan Surasky has worked as a book reviewer, movie reviewer and entertainment writer for a daily San Francisco newspaper. Her many articles and short stories have been published in national and regional magazines and newspapers. She has also taught writing at a literary center and a number of area colleges. She is a graduate of Cornell University with graduate courses in English literature at the University of Rochester. She lives in upstate New York. Her first novel Rage Against the Dying Light was a finalist in the Eric Hoffer Book Awards. Her website is www.jansurasky.com.

Monday, August 24, 2020

Martha Graham's Cold War


Martha Graham, sometimes referred to as the “Picasso of modern dance”, was the first dancer to perform at the White House in 1937 and travel abroad as an officially launched Cold War cultural ambassador. Representing every seated president from Dwight D. Eisenhower through Ronald Reagan, Graham performed politics in the global field for over thirty years during the Cold War, through to the fall of the Berlin Wall with a planned tour to the USSR under George H.W. Bush, which was never completed. Her contributions to US cultural diplomacy efforts and ability to forge human connections make her a fascinating figure in both political history and dance history.


Although Graham worked with the men in the White House, she relied on the power of the women in the wings. Starting with Eleanor Roosevelt, who invited Graham to perform for her husband and their guests and then wrote about Graham for her nationally syndicated column, to Jacqueline Kennedy Onassis, Ladybird Johnson, Betty Ford and Barbara Bush, Graham’s relationships and intimate friendships supported her diplomatic work. In addition, Graham forged great works with the financial support of female philanthropists including Bethsabée de Rothschild, Elizabeth Sprague Coolidge, and Lila Acheson Wallace. Although she defiantly proclaimed, “I am not a liberationist” and refused to participate in feminist movements, she relied on powerful women like herself.


After beginning her training at the Denishawn School of Dancing and Related Arts in the 1910s and becoming integrated into the school as an instructor and then as a dancer in their touring company, she moved on to create her own foundational dance technique, which remains one of the staples of modern dance training today. Born as a product of the global modernist impulse in the early twentieth-century, Graham’s technique used the pelvic contraction – weeping,

laughing, breathing in ecstasy – as the source of all movement.


By 1926, Graham had formed her company of women, and in 1930 took center stage as

an American modernist with her piece, Lamentation. She then went on to find a distinctly

American dance, mining the power of the West with her work Frontier (1935). Along with the iconic work of what the State Department called “Americana” with Appalachian Spring, many works from the 1940s were based on Greek myths, with strong central female characters, such as Oedipus’ Jocasta in Night Journey. She expressed the deepest of human emotions and joyous love in Diversion of Angels. With this combination of works, Graham became a representative of the nation and showed its sophistication as she tapped into “hearts and minds” to win the Cold War.


In 1956, during the Cold War, Graham embarked on the first of many international tours as a cultural ambassador for the US government. Bringing along dance works with strong themes of frontiers and classic Americana, she performed for the elite classes in “domino nations” and promoted American ideals of freedom and democracy. These works were all instilled with her unique dance form, which was completely different from the classical ballets the Soviet Union was sending for international performances. Thus, US scholars asserted that modernism could have emerged only from the “land of the free,” and not from totalitarian states such as Germany or Japan, and certainly not the Soviet Union. Although Graham herself claimed to be apolitical, she became a valuable export for US cultural diplomacy for many years.


Graham continued traveling and performing for US administrations until the Cold War began to come to a close in 1989-1991. Although there was a tour planned under President Bush to the bloc nations (Poland, Yugoslavia, Czechoslovakia, Hungary, and Russia), it never came to fruition. Martha Graham passed away in 1991, the same year the Berlin Wall came down. Her legacy, nevertheless, continues today in the form of the Martha Graham Dance Company in New York City, which continues to perform Graham’s works all over the world, honoring her many contributions to modern dance and cultural diplomacy.





The above bio on Martha Graham was written by author Victoria Phillips




Monday, August 17, 2020

The Aloha Spirit - The Life of Carmen Dolores Jaime Medeiros Rodrigues

My husband’s grandmother, featured in my new novel THE ALOHA SPIRIT,  was an amazing woman. She loved to laugh, and she loved family. Her home was always open to anyone who wanted to be there. I know that if I ever arrived for dinner with ten strangers, she would make room at the table for all of them. That spirit of giving and loving has always embodied the aloha spirit for me, especially after learning of her early life.

Carmen was born on Kauai in 1915. All that remains of her birthplace now is the U.S. Post Office in Mekaweli. Her parents had emigrated from Spain. In Hawaii, Carmen’s father was a dairyman. She had an older brother, but her mother passed away in childbirth with her third child. When Carmen was still small, her father moved the family to Honolulu. Sometime after that, he decided to take his son and go to the mainland to look for work. He left Carmen with a large Hawaiian family. Her children and grandchildren were never told much about her time with this family, only that she was treated poorly.

As soon as she could, Carmen went to live with her friend, Rachel Galedrige. Rachel had a lot of sons, so Carmen became somewhat of a sister and a daughter. The two women remained friends for the rest of their lives.

When she was sixteen, Carmen married Manuel Medieros, a man she’d met on the beach at Hanauma Bay. Manuel was the youngest child of Joe and Jessie Medeiros, emigrants from Portugal who had eleven children. Joe had left his wife and family, but Jessie owned four houses in the Punch Bowl area of Honolulu. The entire family gathered at Jessie’s house for lunch every day. What a raucous crowd that must have been! Carmen, though, had lived with a large family before. From the Hawaiians, she no doubt learned Hawaiian superstitions and customs just like she learned Catholic superstitions and customs from her husband’s family.

Carmen’s life still wasn’t settled. Her husband had a good job as a power plant engineer for Hawaii Electric, but he had a violent temper. Carmen’s oldest daughter says Manuel abused his wife and became an alcoholic. By the age of 23, Carmen had three daughters. As a Catholic in the 1930s, she could not divorce. Help came from another source.

Earl Rodrigues was her nephew. His mother was Manuel’s oldest sister, which made him close in age to Carmen. He teased her by calling her Auntie, which she said made her feel old. Earl had an irrepressible sense of humor. He was a free spirit who often cut school to surf Waikiki, climbing palm trees to get coconuts to eat, or buying pipikaula, Hawaiian beef jerky. Earl protected Carmen and her daughters, and she fell in love with him.

When Pearl Harbor was attacked in 1941, Earl was at work as a shipfitter. Carmen and the rest of the family watched from their home in the hills of Honolulu as the harbor burned. Carmen must have been frantic for Earl as well as scared for her daughters’ safety. Six months after the attack, Carmen and her daughters left Honolulu for California. They zigzagged across the Pacific Ocean on a Navy ship. Arriving in San Francisco, they lived for a time with Carmen’s brother and his wife. Manuel sold their things in Hawaii and joined them in California a few months later. Those months as a single mother, without the support of the extended family she had in Honolulu, must have been hard. Even so, Carmen must have learned she could manage independently.

Manuel, Carmen, and the girls settled in San Jose. Manuel returned to his drinking and flitted through jobs. After the war ended, family from Hawaii visited constantly. Earl’s parents came to visit with Earl and his siblings. Earl was once more where he belonged, protecting the woman he loved. He built himself an apartment in back of Carmen’s house when the rest of his family returned to Hawaii. They must have discussed a future together, but both were still bound by her marriage vows to Manuel in a Catholic church. Manuel drifted in and out of their lives like another visitor.

I’m going to stop there because to tell you any more would ruin the novel for you! The basic outline of Carmen’s life is all I had to go on when I wrote The Aloha Spirit. My goal was to explore how she could endure constant setbacks yet still emerge with a heart full of aloha. I hope you enjoy her story.



Linda Ulleseit

 

Author of Under the Almond Trees

 Coming soon from She Writes Press: The Aloha Spirit

Author Website: ulleseit.com

 



Monday, August 3, 2020

Edith of Wessex - The Confessor's Wife

In a time when barren wives were customarily cast aside, how did Edith not only manage to stay married to King Edward the Confessor, but also become his closest advisor, promote her family to the highest offices in the land, AND help raise her brother to the throne? She was obviously highly regarded in her day: she is one of only three women depicted in the Bayeux Tapestry. And highly educated, speaking several languages and having studied grammar, mathematics, rhetoric, weaving, and embroidery, among other things. 

With her family’s constant betrayal, her mother-in-law’s condescension, and the upheaval facing the country, Edith’s path is complicated and, at times, treacherous, and her position by no means secure. Still, she both survived AND thrived. Truly a fascinating woman! 



http://mybook.to/ConfessorsWife



Author

Kelly Evans


Born in Canada of Scottish extraction, Kelly Evans graduated in History and English from McMaster University in Ontario, Canada. After graduation, she moved to the UK where she worked in the financial sector. While in London Kelly continued her studies in history, focussing on Medieval History. 

 

Kelly now lives in Toronto, Canada with her husband Max and two rescue cats. Her books include The Confessor’s Wife, The Northern Queen, The Mortecarni, and Revelation, all set in Medieval Europe. Kelly's first children's book will be released soon, a historical ghost story, as will her first young adult historical fiction novel, about Elizabeth I. When not writing, Kelly enjoys reading, playing medieval recorder, and watching really bad old horror and sci-fi movies, preferably with lots of popcorn. 

 

Website: https://www.kellyaevans.com





Monday, July 27, 2020

George Sand (Amantine Lucile Aurore Dupin) 1804-1876

George Sand (née Amantine Lucile Aurore Dupin) (1804-1876) shone brightly as one of very few 19th century female authors. Born into a world where only men could be writers, she often imitated them in dress and manner by wearing pants and smoking cigars. She relentlessly pursued of her wants: writing, lovers, and family. Along with novels, she wrote urging reforms to better the lives of the poor and working class, gain suffrage for men and women, and capture equal rights for women. 


Early in her life, she inherited her grandmother’s estate, Nohant, in Central France. Married only once, she took many lovers, including Frederic Chopin, with whom she had a nine-year affair. They shared a passion for the arts—he for the piano and she for literature—although their discussions traveled far and wide. That bond kept them together well beyond Chopin’s “usefulness” as a satisfying companion due to his debilitating tuberculosis. Although their breakup was harsh and long in coming, Sand tended to him while together as she would any child. Toward the end, she resented the encumbrance and freely admitted to several dalliances. 


When he was sick unto death in Majorca, he composed music imbued with the very fragrance of Paradise. I am so used to seeing him lost in the clouds that it doesn’t seem to me as if life or death means anything to him. He himself really doesn’t know on what planet he is living, and has no awareness of life as we conceive and experience it,” said Sand.


She wrote every night from midnight to six a.m., slept till noon, then took care of her children. Such a dedicated schedule resulted in many novels, plays, an autobiography, political tracts, newspaper articles, and several volumes of personal correspondence. She risked societal ridicule for doing what she wanted but is still revered in France today. Independent, gifted, and willful, she brooked no nonsense when it came to her friendships or criticism of her works. 


In The Education of Delhomme, George Sand is the monarch’s bête noire because he believes her writings are fomenting rebellion among the working class. So great is the king’s fear of further turmoil that he orders his henchman to hire the main character, Beaulieu Delhomme, to spy on her. The enmity between Delhomme and Sand springs from other reasons, but her values of fairness and an unerring focus on aiding the oppressed help her overcome such discord.




This title is scheduled for release on Nov. 17, 2020.


Author
Nancy Burkhalter


Nancy Burkhalter is an educator, writer, journalist, linguist and piano tuner. She holds a master’s degree in journalism and English education as well as a doctorate in linguistics from the University of New Mexico. She has taught composition for many years in the U.S., Germany, Saudi Arabia, Kazakhstan, and Russia. Her overseas work led to an interest in comparative education, especially critical thinking. Both observations and research resulted in her book and blog, Critical Thinking Now. In 2019, she was a recipient of Go Back, Give Back, a fellowship through the State Department to train teachers in St. Petersburg, Russia.

Burkhalter’s upcoming novel, The Education of Delhomme: Chopin, Sand, and La France, tells the story of Beaulieu Delhomme, a fictional piano tuner for the famed French pianist Frédéric Chopin.

Nancy Burkhalter resides in Edmonds, Washington.